THE artist who created the chilling Momo sculpture says kids shouldn’t fear the horrifying beast because it has been destroyed after it “rotted away.”
Sculptor Keisuke Aiso, 43 says he feels “responsible” for terrifying children after his work was hijacked by online sickos who used it in the so-called ‘Momo Challenge.’
But he told The Sun that kids should be reassured and not to worry as Momo is DEAD.
We tracked him down to his workshop on the outskirts of Tokyo in Japan, where he said: “It doesn’t exist anymore, it was never meant to last.
“It was rotten and I threw it away.
“The children can be reassured Momo is dead – she doesn’t exist and the curse is gone.”
The model, which was made out of rubber and natural oils, was binned last autumn.
All that is left is an eye used on the work, which he plans to recycle on a new model.
He also has a cheap moulded mask of the Momo which a pal bought for him after visiting Mexico where his ghoulish figure was being used to celebrate the day of the dead.
The original work called Mother Bird was built in 2016 and exhibited at an alternative art gallery in the Japanese capital.
But after snaps of the bird woman were posted online it morphed into the challenge after sick individuals edited the face into children’s YouTube videos.
The Sun has found Momo’s disturbing face appearing in the middle of Peppa Pig programmes aimed at little kids.
Using a computerised voice, the ghoulish character issues horrific threats to whoever has clicked on the video.
Although there were suggestions that youngsters had harmed themselves or others after watching the footage, kids charities have said there is no evidence of harm being done.
However children have been left terrified by the face, with schools and the government issuing advice to parents over the clip.
But Aiso says that although he is upset about the pain he’s caused to children, he is glad his work has been seen over the globe.
He added: “I have mixed feels about the people who have done this.
“On one hand they have caused me nothing but trouble, but on the other hand as an artist I have a little sense of appreciation that my art piece has been seen across the world.
SICK SUICIDE GAME
“I guess I have to be grateful in that sense.
“I created this artwork three years ago and at the time when it was exhibited at the gallery it did not receive much attention, so at the time I was very disappointed.
“So when Momo first appeared, it was good in a way that it had received some attention. I was pleased.
“But the way that it has been used now is very unfortunate.
“People do not know if it is true or not but apparently the children have been affected and I do feel a little responsible for it.
“I feel like I am in trouble but it’s all out of my hands.
And because it was out of the country and abroad I felt that it would pass, and I did not want to add fuel to the fire.
“It was not my masterpiece, so I’ve been surprised that it’s known around the world.”
He admits the sculpture, which features the head and naked torso of a traumatised woman, and a bird, is terrifying.
The artist was inspired by a Japanese ghost story about a lady who dies in childbirth and emerges as a bird woman to haunt the area where she died.
In local folklore, the woman appears cradling a baby and tries to hand it to strangers before disappearing before the baby turns into sticks or rocks.
Aiso, who also makes models for TV shows, said: “When I created the piece – I will be honest – I had every intention to scare people.
It is a monster, that’s what I do I make scary things, either using make-up or models
“It is a monster, that’s what I do I make scary things, either using make-up or models.
“It is a ghoul, about the death of a woman in childbirth, in a way its reason for being is to scare children but it wasn’t supposed to be used in the way it has.
“It was never meant to be used to make children harm themselves or cause any physical harm.”
Aiso told us he became aware that his creation had been hijacked last year, weeks after he had binned the model.
He added: “I know Momo appeared six months ago in South America, but it has come back this week so much, it’s been bigger and there has been more attention this time.